​In honor of the re-release of BROKEN CHORDS, I wanted to share some of my inspiration for the book. This post will definitely appeal to music lovers out there. Anyone play the fiddle or mandolin? Cello? Anyone sing? Then stay tuned. But, my very first inspiration for this book started elsewhere. I’ll start at the beginning.

BROKEN CHORDS was born because I had to pee in the middle of the night while camping on Martha’s Vineyard with my husband. Literally.

If you’ve ever gone camping, you know the bathrooms are never conveniently located. The fastest route from our site was through the property’s playground. So, there I am, wee hours of the night (no pun intended—okay, pun intended), and it’s all cold and misty; and I think: If those swings start moving right now, I’m so out of here.

Lucky for me (and my bladder), that didn’t happen, but once I was safely back in my tent, I knew I’d write a story about a haunted playground someday.

The second inspiration for BROKEN CHORDS is musical. I wanted my book to feel the way certain favorite traditional acoustic songs sound.

​Before I get into the songs, let’s talk about the third inspiration for my book: Greyfox Music Festival. If you’ve attended and you read BROKEN CHORDS, you will recognize it all: the layout, the campgrounds, the crepes and gyros, the unique and creative individual site set-ups, even the creek behind the clearing in the woods—it’s all inspired by that festival.

Back to the music. Once I decided on that the book would take place at a music festival, certain songs just called out to be included. I mention three bands in particular in BROKEN CHORDS: Crooked Still, Nickel Creek, and The Greencards. They’re probably best described as New Grass or Progressive Bluegrass, and OMG, all three are awesome!

The two songs that were my biggest inspiration are “Wind and Rain” and “Undone in Sorrow.”

“Wind and Rain” is based on ballad that is literally thousands of years old (here’s a great article about it), and it’s so creepy. The content has remained largely the same over the years, though it’s known by several names including: “The Twa Sisters,” “Rollin’ a-Rollin’,” and “Binnorie.” It’s about two sisters, and the older one pushes the younger one into a river because they’re both in love with the same man, and he happens to prefer the younger sister. Not surprisingly, the sister drowns, which is twisted by itself. Then a fiddler comes out of the woods, and he takes the drowned sister’s bones and hair, and he makes a fiddle out of them. When the fiddle is played, it reveals the identity of her murderer.

One line goes like this:
And he made fiddle pegs of her long finger bones.
Oh, the wind and rain.

I mean, shiver. Right? That song is the anthem of some of my creepiest entities in BROKEN CHORDS (actually, the very ghost children who haunt my playground). Probably the most chilling version of “Wind and Rain” is THIS ONE, an acapella version, by Gillian Welch, David Rawlings, & David Steele. But if you want to hear the one Crooked Still did, which also features a fiddle—I mean, apropos, right?—you can hear that ​HERE. (This version also features Rushad Eggleston, their original cellist, who is incredible.)

The other song that features in this book is “Undone in Sorrow,” which was originally written by a woman named Ola Belle Reed. That one is still under copyright, so I couldn’t use the words in BROKEN CHORDS, but when you read the book and Lenny and Jeb talk about playing their song, that’s the one. Crooked Still’s version is my favorite. It’s so haunting and sad. There’s a cello in their band, and the cello solo is one of my favorite musical moments of all time. Then the fiddle comes in and it literally sounds like the embodiment of a tortured heart. Add Aoifa O’Donovan’s ethereal vocals, and it’s a chiller of a song.

Those of you familiar with this genre will know that the cello isn’t typical for bluegrass, but it’s their inclusion of a cello that makes some of their songs so haunting. And readers of BROKEN CHORDS will know that I gave a nod to this when I made Lenny’s mom a cellist.

​I also mention the song “The Fox,” which is a Nickel Creek icon and the first song Lenny and her friends played at the first bonfire of the festival in BROKEN CHORDS. That band is made up of three geniuses of music who all started as kids. (Literally, one member, Chris Thile, won a Macarthur Award. Joining him are siblings, Sara and Sean Watkins.) You can see them at it when they were wee ones right here.

Lastly, I mention the Greencards, an Australian-based band, that definitely takes the progressive in Progressive Bluegrass to the next level. As they like to say, some of their songs are “weird ones.” But they’re incredible too. Here’s one of my favorites from them, “Wind and Water,” and this version also happens to feature Brittany Haas from Crooked Still on fiddle. Their version of “Davy Jones” is another of my favorites, and it definitely crosses the line into more progressive territory.

Of course, BROKEN CHORDS was also inspired by some of my favorite horror themes and films (I like to call it acoustic Poltergeist), but the heart of the book is its setting, and there’s so much that I love captured within it.

If you check out any of the performances or artists PLEASE, PRETTY PLEASE tell me what you think. There’s nothing I love more than sharing music I love with people who love it back. (And if you want more song recs from these fabulous artists, I may just have a couple more where this came from. Hehehe.) 

A weekend in Palm Beach, FL. My first author panel, moderated by R. L. Stine, an icon and a personal favorite. Seeing my book for sale for the first time. My book with a library bar code! And the kids. They were INCREDIBLE. I can't even explain what it felt like hearing a mob of young readers say they want to read my book. Nothing was so painful as choosing one for my giveaway (I did eenie-meenie-miney-mo). And I got to do my first signing. And have dinner with this fabulous group of writers and Mr. Stine and his lovely wife and editor, Jane Stine. The weather was fabulous, and the other authors were wonderful. (Writers are seriously the best people, ever.) Amy Christine Parker  (author and chair of the new International Thriller Writers Young Reader division) was a fountain of information and made the whole thing easy as can be. J.D. Fennell, Karen McManus, Megan Miranda, and Shelia Sobel were super fun to hang with, and I can't wait to see how things go with all their careers. The Palm Beach Library System set up the event with such professionalism, and helped to ensure we had a large crowd. We visited two high schools the day after the main event, Glades High School and Atlantic Community High School, where we met Elizabeth Zrodowski and Rebecca Radic, librarian and medial specialists, extraordinaires. 

The event was also sobering. As most people know, February 14th, 2018 saw a shooting at the Marjorie Douglas Stoneman HS in Parkland, FL. The schools in the area were under high alert in the week after, which included our visit, mere days following the horrifying event. Security measures were in effect, but tensions were high. I wont lie; it was emotional and scary. Imagining what kids in America must experience on a daily basis when they walk into their classrooms was immensely moving. Being afraid of going to school. Fear of being in a place where something terrible might happen. Our schools have threats on a regular basis. Social media makes it so easy for masked threats, many of which are pranks, but how does anyone know? Not having children myself, this was a huge eye-opener. Don't get me wrong, I appreciated what all this meant, just nowhere near enough.

Our educators are heroes. Period. Our children are courageous. I don't know how parents get through. In life, we are occasionally exposed to things that change our worldview. This was one of them for me.

I want to end by thanking everyone involved. I also want to thank the International Thriller Writers and the Debut Program, organized by Shaun Harris (author and fellow member of Team Triada), for creating an opportunity for debut authors like me (in other words, clueless authors like me) to learn this valuable aspect of the business in a safe, supportive way.

When I entered BROKEN CHORDS into this competition, I had zero expectations. Let's just say I've entered a couple book contests in my day. But, my book took an honorable mention! What a fabulous surprise! As this is a horror novella, I'm extra proud as genre fiction can sometimes get lost in the mix, and I love this book so much. (I know I'm a little biased.) 

​And don't forget, if you're in the Palm Beach, FL area on February 18th, come see me, four other debut authors, and the legendary R. L. Stine at Palm Beach Peril where we'll be doing a panel presentation followed by a book signing (my FIRST book signing! Squee!) I hope to see you there. Find out more about this event HERE.

Here’s how last year’s Gypsy Cob Music Festival should have gone. Lenora “Lenny” Ragno was supposed to rock her duet with her long-time crush, Jeb, during the open-mic competition. Then, swept up in the glow of success, he’d finally kiss her. Instead, Lenny choked on stage and spent the whole year dodging him online. And avoiding playing her fiddle in public. She thought her worst nightmare was behind her, but she was way wrong.

She’s back at Gypsy Cob where avoiding a public performance is about as impossible as hiding from Jeb. She thinks facing him will be the scariest part of the festival, but when one of their friends talks everyone into trying astral projection, Lenny catches the eye of a demonic entity that marks her as its own.
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Now, whenever it wants, the demon can pluck Lenny from her reality and transport her to a hellish between-world, haunted by its countless, gruesome victims. If she doesn’t want to become one of them, she must discover the nature of the demon’s hold on her and remove it. But how can she defeat a literal demon when she can’t even get over her personal ones?