I can’t promise that if you work with me you’ll get an agent and a book deal. I can promise you’ll learn from this experience, and your book will be better than when you started. So, if you don’t sign, are you still going to be as motivated to keep trying as you were the day you entered this competition? Will you keep querying that book until you find your dream agent? Will you write a new one and query that if this one doesn’t get you there? Before I share what I’m looking for, I’d like to tell you a little bit about me. I’ve been writing since 2010. I am represented by Dr. Uwe Stender of Triada US literary agency, but a little secret is that he rejected me when I first queried him (he got a kick out of that, BTW). In 2016, I was selected to be mentored in a competition very similar to Pitch Wars: Pitch2Publication; and as a result of that, I signed with Uwe. My debut novel, TEN AFTER CLOSING, came out in 2018. I’m also the author of BROKEN CHORDS, a YA horror that is currently unavailable because I’m getting ready to release a re-designed version (the cover is SO pretty and I'm revealing it publicly here for the first time. It's below!).

I’m also a senior editor for Allegory Literary Magazine, so I spend a lot of time thinking about story, what works, what doesn’t, and how to build upon a story’s strengths to take it to the next level.

​As for my non-writing time, I’m a full-time, licensed clinical psychologist. I work with people every day on figuring out what their ​strengths are, understanding their barriers & things that limit them reaching their potential, and setting the kind of goals that work. On the education front, I've been teaching and mentoring students (from college to post-grad) for over ten years. One of my mottos is: It’s not about being good. It’s about getting better. 

You'll also find, right here on my blog, a series of posts called "It's a Writer Thing." These are full of writerly inspiration and motivation. I draw from the psychology world, applying the concepts to the specific challenges we writers encounter. 

​- I’ll be here to cheer you on the whole way, including providing support during the hardest part of the competition—the waiting phase.  

​- I’m definitely looking for genre books, but within that context, I’m excited to read stories with diversity of any type, including #ownvoices books.
- Voice, voice, voice.
- I’m a better fit for upper middle grade, and I’d be especially interested in stories set just before the 8th grade to HS transition (though not a requirement).
- My number 1 request is some good MG horror or anything creepy/scary/eerie.
- I’m also looking to see contemporary books full of thrills.
- My favorite type of horror is paranormal/supernatural, so bring on your ghosts and demons.
- Witches in contemporary settings are great too.
- I’m a SUCKER for a haunted house story. (My secret ambition is to write the world’s best haunted house book, but if you beat me to it, send that bad boy over here please.)
- I’ll take my horror with a dose of silliness or keep it straight. I love HECK, WHERE THE BAD KIDS GO (by Dale E. Basye and Bob Dob) and THE MONSTER SQUAD, so feel free to send me your humorous horror.
- I’m open to MG horror with a more literary vibe too, like A MONSTER CALLS (by Patrick Ness and Siobhan Dowd).
- I’m all about seeing creepiness in the mundane, so more subtle stories are very welcome (e.g., DOLL BONES by Holly Black).
- Adventures and thrillers? Yes, please. Something like STRANGER THINGS or THE GOONIES for MG would be great.
- Scavenger hunt stories would be fun (especially if there’s a creepy element).
- I’m a sucker for kids getting stuck somewhere and having to survive something (lost in the woods, stranded on a desert island, accidentally locked up somewhere—OMG, if they’re accidentally locked somewhere and there also happens to be a ghost or monster, that book is for me. Clearly there’s a theme here.).
- I will take fantasy if it’s rooted in the contemporary world.
- I’m open to some SCI-FI, but again, rooted in the contemporary world.
- Detective stories, especially with humor. My favorite movie of all time is CLUE. If you’ve written CLUE for MG readers, I wants it …

​- Anything that’s NOT MG. I love books for all ages, and even though my debut is YA, I’m only mentoring MG this year.
- Quiet books. I’m a genre girl, so I’m looking for books with thrills and scares.
- Pure contemporary. I love these books (think BFF BUCKET LIST by Dee Romito, SHOUTING AT THE RAIN by Lynda Mullaly Hunt, or THE HOUSE THAT LOU BUILT by Mae Respecio), but I’m NOT looking for that this time around. 
- High fantasy. 
- No vampires or werewolves (UNLESS it’s a silly take on the trope.)
- No space stories.
- No dystopians, please.

It's that time again: Pitch Wars time!

I am so grateful to be mentoring again this year after the fabulous experience I had in 2017. So, if you're interested in potentially subb'ing to me, you're in the right place.

 So who am I and why would you want to choose me as a potential mentor? Why should you trust your work to my eyes and use one of your precious chances when there are almost 50 fabulous YA mentors? 
Below you will find the top 11 reasons —updated for 2018.

​1. Last year, I was a mentor in MG. Though my mentee's situation was a bit unique in that she'd already made a connection with her agent-to-be, my mentee did share that the agent loved the work we'd done and that the revisions contributed to their sealing the deal. This is what she said when I checked in to ask if she minded my referencing our experience here: 

Meanwhile, I’m simply grateful that Adrianna allowed me along for her ride on the Pitch Wars whirlwind.
 
 2. I’m walking the wire and dancing through the fire. In other words, I know exactly what it feels like to be in your shoes because I’m literally in your shoes. As writers, we sometimes think we’ll reach this point where we’re finally there (does anyone even know what there is?), but the fact of the matter is, this is one long experience. Sure, there are milestones, but regardless of whether we have been in this industry for a short time or a long time, we're all dealing with the same things. We’re all subbing our work and hoping for yes’s. We’re all dealing with rejection and difficult feedback and just waiting for that next bit of good news or next step along our path. Now, that may sound discouraging, but it’s not. In fact, it’s liberating because it means that we never need to judge ourselves on where we are. And, if we keep the right mindset, we can enjoy every step. That’s why I LOVE the metaphors of walking the wire and dancing through the fire (and yes, I got those from two different songs—bonus points if you can guess which ones).
 
This writing thing is full of challenges, and it’s up to us to decide if it’s going to be a terrible ride or a party.
 
I choose to party. Want to join me? 
 
3. I love YA, and I’ve written almost nothing but YA in the last few years. My first novel-length book, BROKEN CHORDS, a YA horror came out in 2017, and my official debut novel, TEN AFTER CLOSING, a YA thriller comes out (eep!) in LESS THAN A MONTH. I’ve also been included in a YA anthology for which I wrote a sweet romantic piece.
 
4. No one wants a crabby mentor. If you know me, you know I strive to inspire and motivate writers. I do it with my blog, I do it with my memes, I do it with the free chapter critiques I give away each month to people on my newsletter list. My Number 1 Motto is: You can’t fail if you don’t give up. I believe 100% that if you want to be a published author you will, as long as you keep at it. That’s the spirit I’ll bring to this competition.
 
5. Because I’m a psychologist, one of my strengths is in creating authentic, realistic characters that drive the action of the story. Being either a character-driven or plot-driven author is so last year; I want to help you be both.
 
6. This is my dog. As anticipated, he was no help last year, but he is so darned cute ...
 
7. But seriously, I’ve written 14 books and 9 short stories, and I’ve been published in four anthologies. My Number 2 Motto is: Finish what you start. Revise what you finish. Then revise it again. And send it out there into the world.
 
I also serve as an editor for Allegory Magazine, which is now in its 20th year! Since last year when I mentored in Pitch Wars, I received a promotion to Senior Editor, and I’m so proud to serve writers in this role, helping them to have their yes-moment.
 
8. Pizza and donuts. Pizza goes without saying, but I figured I needed to update my comfort food for 2018, so I give you donuts.
 
9.  I’m looking to develop a real relationship with my mentee. Our friendship won’t end when the competition is over. Once I work with you, I’m going to be so excited to hear about all your doings and happenings. I hope to be a resource for the long-haul. (And don’t be surprised if, down the line, I bug you to be a resource for me. It’s all about writers helping writers.) 

10. I still love to eat. Pizza (as above), ice cream, donuts, cheese. All the cheese. And coffee. I make a MEAN pumpkin chocolate chip cookie. But, most of the time, I’m into eating healthy. I’ve tried at least half the recipes on Skinnytaste.com, and I’m huge into working out. It’s my foundation. I’m a grunge rock girl at heart, but I love modern dance music and current rock groups. I can’t seem to get enough of Panic at the Disco, Imagine Dragons, or Fallout Boy. I’m also a bluegrass fan (especially “New Grass.” Crooked Still is one of my all time favorites. And Nickel Creek.) I love SO YOU THINK YOU CAN DANCE, PROJECT RUNWAY, TOP CHEF, DEADLIEST CATCH, FAMILY GUY, SILICON VALLEY, BUFFY, WEST WORLD, PORTLANDIA, MONTY PYTHON.
 
11. I did not start out as a writer. I don’t have an MFA. I didn’t study writing in college or grad school. But writing a book was something I always wanted to do, and one day, I said: Let me see if I can do it. And that started me off. I’ve been writing for only eight years, so I know what it’s like to be a constant learner. I’m still learning. So, unless you’re Shakespeare, I totally expect that you’re still learning too.
 
I’m a practicing, licensed clinical psychologist. I work with people every day on figuring out their strengths, understanding their barriers & things that limit them reaching their potential, and setting the kind of goals that work. On the education front, I’ve been teaching and mentoring students at all levels (from college to post-grad) for over ten years. My Number 3 Motto is: It’s not about being good. It’s about getting better.

- Kindness and honesty. I’m the person who’s not afraid to tell you that you have broccoli in your teeth (and if I do, PLEASE tell me, okay?), but learning should never be punitive. You can expect a collaborative experience where I’ll tell you all my thoughts, but work with you to make your book the best it can be no matter what.
- When I read your book, I’ll be looking to understand the book as you envision it, then work with you to further hone the things that are already working well and identify places where you can bring out the heart of your vision even more.
- Once I’ve read the whole thing, I’ll send you an edit letter with all my thoughts. I’ll give you some time to read through it, then we can communicate about it (video chat, phone, email—whatever) and come up with a solid revision plan.
- Once you complete your revisions, I’ll read through the book again and give you comments in the margins.
- We’ll pay extra attention to your first chapter and your query; I’ll also do a line/copy edit of your first 30 pages, and then you can take those suggestions and carry them through the rest of the book.
- I’ll be here to cheer you on the whole way, including providing support during the hardest part of the competition—the waiting phase. We’ll get through it together with pizza, donuts, wine, and all the cheese.

​​Are you ... ?
- flexible and open-minded about revisions? Listen, when you sign with your agent (and you will, I know it), you’re going to continue to get tons of feedback on your work. Then you’ll sell your book (totally, it will happen), and your editor is going to have a ton of changes for you to make too. So, revisions are a normal and natural part of the writing process. (Personally, my favorite parts of all my books are born in revisions.) So, if you’re open-minded and willing to do an overhaul if it’s in the service of your vision, I really want to work with you.
 
- not afraid to work hard? There’s a timeline in Pitch Wars, and you will likely be eating, sleeping, and breathing your book. Are you reading this saying, Bring it on!--good!
 
- serious about your writing career? I can’t promise that if you work with me you’ll get an agent and a book deal. I can promise you’ll learn from this experience, and your book will be better than when you started. So, if you don’t sign, are you still going to be as motivated to keep trying as you were the day you entered this competition? Will you keep querying that book until you find your dream agent? Will you write a new one and query that if this one doesn’t get you there? Yes? Then send me your book, my friend.
 
Let’s get to work.

 WHAT I’M LOOKING FOR
- I’m definitely looking for genre books, but within that context, I’m excited to read stories with diversity of any type, including #ownvoices books.
- I will accept YA and NA
- My biggest request will be thrillers. I’ll take action-based thrillers, psychological, techno thrillers, and a tiny bit of sci-fi (sci-fi isn’t my favorite, but it can be amazing,so the right book could do it for me). Books like THE ACCIDENTAL BAD GIRL (Maxine Kaplan), PEOPLE LIKE US (Dana Mele), THE BAKERSVILLE DOZEN (Kristina McBride), or mysteries like DIVESMACK (Demetra Brodsky) and SEE ALL THE STARS (Kit Frick).
- I’m also open to paranormal YA and full-on horror. Books like DREAD NATION (Justina Ireland), THE DARK BENEATH THE ICE (Amelinda Berube), THE CALL (Paedar O’Guillin), THE DEVIL AND WINNIE FLYNN (Micol Ostow), and books by Kim Liggett.
- I love combining humor with more serious stories, so if you have something along the lines of SCREAM ALL NIGHT (Derek Milman) or THEIVING WEASELS (Billy Taylor), especially if there’s a thriller element, send it to me.
- I’m also open to magical realism or light fantasy as long as it’s at least mostly rooted in the present time and a contemporary world: THE DARKEST PART OF THE FOREST (Holly Black) or THE HAZEL WOOD (Melissa Albert).
- These books are just examples; there's no need to know them to sub to me if your book fits my overall categories.

​WHAT I’m NOT LOOKING FOR
- Anything that’s NOT YA.
- Quiet books. I’m a genre girl, so I’m looking for books with thrills and scares.
- Pure contemporary. I love these books (think SOMEDAY, SOMEWHERE by Lindsey Champion), but I’m not looking for that this time around.
- High fantasy.
- No vampires or werewolves (UNLESS it’s a silly take on the trope. Think FAT VAMPIRE for or something like Molly Harper’s books for YA.)
- No space stories.
- No dystopians, please.

There's nothing wrong with these types of books, and my preferences have nothing to do with the chances of these kinds of books getting you an agent or book deal, they're just not my favorites and therefore you're better off using one of your submissions on a mentor who'd be a better fit. 

Thank you for dropping by and taking the time to get to know me. I can't wait to read your submission!!!! And remember, the links to all the other YA mentors' blog posts are BELOW.

Hello, wonderful writers!

I wrote about the Big R—rejection—several months back, but as we get closer to Pitch Wars, I find myself reflecting on the OTHER Big-R: revision. That’s what Pitch Wars is all about, after all. Revision Warriors!

Many authors dislike revisions, but I love the process. And I’ll emphasize that last word: process. So, in order to help inspire everyones’ Revision Warrior Mojo, I thought I’d address some myths about revision.

MYTH 1: The most important part of writing is the drafting process.
A couple years ago, I responded to a poll that asked what authors preferred: drafting or revising. I replied that I liked drafting better, and I meant it, but that was before I wrapped my brain around revisions and the magic that happens during the process. The best parts of my books arise during revisions. I’m a plotter, so I have a strong concept before I start, but revision is where I really see my work for the first time. For that reason, I visualize character and theme in a whole new light. Things emerge that I was too close to see during drafting. Each pass allows me to think about a different aspect of my MS.

​Everyone who reads my blog knows I love creative reality TV. So, this time, I’ll draw from cake decorating shows (which I can’t watch too often because, OMG, cake cravings are evil!). You know how they get the cake to a certain point, and it looks really good? The shape is there, the fondant is in place, some detail work has been done. It looks like it’s ready to hand over to the customer. Then the chefs take that foundation and go to town, turning the creation into something truly breathtaking. That’s how I think of revision.

A first draft a cake with the layer of fondant but no detail work. The shape is there and the base color, maybe some embellishment, but that’s nothing compared to what it will be when we’re done.

MYTH 4: Revision=singular.
I usually use the plural because, for me, it’s a multi-step process. I do a pass for big stuff—plot holes, inconsistencies, and scenes I forgot to show. Then there are character passes. Passes for theme, etc. Not to mention the fact that as we really immerse ourselves in revision, we sometimes get the best ideas ever—maybe inspired by something our CP said or from our very own heads. 

Now, this is the part you may not want to hear, but these shiny new ideas often require us to go back and do a major overhaul to our books. But don’t panic, because it’s totally worth it.

My debut novel, TEN PAST CLOSING, is a great example of this latter point. When I was accepted into Pitch2Publication in 2016, my mentor pointed out that some of my chapters weren’t working. Initially, I had many POVs (and I love multi-POV books, don’t get me wrong), but she felt they diluted the story of my two MCs too much. Interestingly, I knew there was a problem with the book; the romance between my MCs wasn’t working. Her input helped me see that I could make better use of that word-count real estate and write in scenes that supported the chemistry between my MCs. This was an exciting revelation for me, because the romance was literally one of my magic cookies. Though it meant swallowing some hard feedback and a commitment to a ton of work, I know that she gave me the input I needed to bring out the best in my book.

MYTH 5: Revision is about finding what isn’t working.
Revision is partly about finding what isn’t working, but it’s also about finding the magic, keeping an open mind and letting the insights wash over you. Remember that beautiful cake that needs all the final detail?

Some people really stress over getting their first draft just right, but I don’t. Though there are stories about authors who plotted so thoroughly they drafted their book in a finished form, this is something that maybe .1% of authors can do. But we don’t need to. (That sounds like an awful way to write a book. I mean, let’s talk about pressure. Right? To aim for perfection right off the bat…) I love knowing I’ll have plenty of shots making my book everything I want it to be. It prevents me from getting too hung up on something that’s not working right at this very minute. I’ll have another chance to nail it, and I trust that the right idea will come to me as I continue to work the process. 

Trust the process. 

It may be messy, but it always gets me there. Even if I’m not having any particular challenges with an MS, I know I’ll be doing a lot of rewrites because I always come up with exciting new ideas once I dig into revisions. Even if I think I’ve just written the best book of all time, and I can’t imagine changing a thing, it happens. Every time. Heck, in my most recently-revised book, I did 3.5 major revisions. So, I start each draft with a mindset of acceptance toward all the extra work I’m going to do, and I don’t sweat it when that work arrives.

MYTH 6: I need to figure out the whole thing myself.
I had the utmost pleasure of hearing my editor, Alison Weiss of Sky Pony Press, speak at an SCBWI Metro NY workshop this past winter about the beauty of the collaborative relationship. She said that when she’s choosing projects, she specifically looks for ones where she can make a contribution. I love that idea. The incorporation of outside input is an inherent part of the process. It’s supposed to happen. Our editors aren’t cursing the authors whose books need their expert feedback; they want to share in this with us. Once I heard that, I went from being excited to work with her to wanting to jump up and down in the middle of the workshop audience. (I didn’t, though. Dignity remains intact.) And the same thing goes for input from critique partners or workshop leaders or whoever helps you. We need that fresh set of eyes, and it’s fine that they raised questions we never thought of. That’s the whole point; they’re going to see things we didn’t. 

Getting feedback and jumping into revisions is challenging, but it is also the most exciting part of the process. It’s where everything can literally change. It’s where the magic happens. So, whether you’re undertaking the process as part of a competition like Pitch Wars or in response to input from an agent you met at a conference, or a CP, remember: The fact that they came up with stuff you hadn’t thought of doesn’t mean you didn’t do it right the first time. This is a process. It will take several passes to get you there, but that’s just fine. That’s the way it goes. We don’t need to nail it the first time, and we don’t need to do it alone. We shouldn’t go it alone. 

By this time next month, I’ll be elbow deep in MG submissions in Pitch Wars, and I can’t wait.

Until then, remember: You can do it! You can write!

Holy moly, I can’t believe it’s Pitch Wars Blog Hop time! I’m super excited to be mentoring in Pitch Wars this year in the MG category. It’s my first time, so I know that means it will be the BEST! 

If you’re still new to this whole Pitch Wars thing, let me give you a little info. This is an awesome competition where you enter your manuscript for a chance to get paired with a mentor who will help you get your book into the best shape possible. Then, you ​get to go to the agent round where a captive audience of agents (not literally captive, though, because that would be creepy—in a bad way) reviews all the subs and requests fulls. In other words, if you get chosen in Pitch Wars, you have an excellent chance of getting an ADVANCE TO FULL REQUEST card.  And even if you don't sign, there's a lot you will LEARN, so let's get started.

For more information about Pitch Wars, click HERE.

Here are the top 11 reasons.

1. 11 is my lucky number.

2. I’m a new mentor this year, but I was selected as a MENTEE in a very similar competition last year, Pitch2Publication. As a result of that, I signed with my dream agent, Dr. Uwe Stender, president of Triada US Literary Agency. He went on to sell my P2P book, TEN PAST CLOSING, which will be published next spring by Sky Pony Press. 

Because I’ve been in YOUR shoes, I know how nerve-wracking and exciting and scary and hard this whole thing is. I’ve been on the receiving end of a massive edit letter and line edits up the wazoo. I worked my butt off and then worked my butt off some more. And a little more. Then I waited. OMG, I waited, and I wasn’t sure if I’d make it. But. I. Survived. (So will you.)  And I want to be there with YOU when it's your turn.

This is going to be awesome!

3. I love MG. (Here’s a secret. Even though my debut is a YA, my first ever book was a MG portal fantasy; my heart lives there still). I’ve also published a (silly) horror short in an MG anthology.

4. No one wants a crabby mentor. If you check out my blog, you’ll see I strive to inspire and motivate writers. My Number 1 Motto is: You can’t fail if you don’t give up. I believe 100% that if you want to be a published author you will, as long as you keep at it. That’s the spirit I’ll bring to this competition.

5. Because I’m a psychologist, one my strengths is in creating authentic, realistic characters that drive the action of the story. Being EITHER a character-driven or plot-driven author is so last year; I want to help you be both.

​​6. This is my dog. He’s not going to be helping out with mentoring this year (which is a very good thing because he can't read no matter how much he fakes it), but he’s a cute little bastard.​

7. But seriously, I work really hard at being a writer. I’ve written ten books (in addition to my official debut, I have YA horror coming out with a small press in the fall) and nine short stories (six of which have been published). My Number 2 Motto is: Finish what you start. Revise what you finish. Then revise it again. And send it out there into the world. I’m also an Associate Editor for Allegory eZine, so I’ve gotten to practice looking out for gems hidden in the slush. 

8. Pizza. 

9.  I’m looking to develop a real relationship with my mentee. Our friendship won’t end when the competition is over. Once I work with you, I’m going to be so excited to hear about all your doings and happenings. I hope to be a resource for the long-haul. (And don’t be surprised if, down the line, I bug you to be a resource for me. It’s all about writers helping writers.) 

10. I love to eat. Pizza (as above), ice cream, donuts, cheese. All the cheese. And coffee. I make a MEAN pumpkin chocolate chip cookie. But, most of the time, I’m into eating healthy. I’ve tried at least half the recipes on Skinnytaste.com, and I’m huge into working out. It’s my foundation. Finally, thanks to a friend in my writing group, I recently got into Bullet Journaling because colored markers and stickers and washi tape, and OMG, it’s so fun.

11. I did NOT start out as a writer. I DO NOT have an MFA. I didn’t study writing in college or grad school. But writing a book was something I always wanted to do, and one day, I said: Let me see if I can do it. And that started me off. I’ve been writing for only seven years, so I know what it’s like to be a constant learner. I’m still learning. So, unless you’re Shakespeare (you're not are you? Because if so, OMG, vampire), I totally expect that you’re still learning too. 

I’m a practicing, licensed clinical psychologist. I work with people every day on figuring out what their strengths are, understanding their barriers & things that limit them from reaching their potential, and setting the kind of goals that work. On the education front, I’ve been teaching and mentoring students at all levels (from college to post-grad) for over ten years. My Number 3 Motto is: It’s not about being good. It’s about getting better. 

- Kindness and honesty. I’m the person who’s not afraid to tell you that you have broccoli in your teeth (and if I do, PLEASE tell me, okay?). You can expect a collaborative experience where I’ll tell you all my thoughts, but work with you to make your book the best it can be no matter what.
- When I read your book, I’ll be looking to understand the book as you envision it, then work with you to further hone the things that are already working well and identify places where you can bring out the heart of your vision even more.
- You can expect a combination of questions to help you think more deeply about your plot and your characters along with actionable items--specific, concrete ideas of things you can try.
- Speaking of character, it's one of my specialties. I may even share my special Character Map with you. (Who am I fooling, I'm totally going to share it.)
- Once I’ve read the whole thing, I’ll send you an edit letter with all my thoughts on what I love, your characters, character interaction, pacing, plot weaknesses/inconsistencies, etc. I’ll give you some time to read through it, then we can communicate about it (video chat, phone, email—whatever) and come up with a solid revision plan.
- Once you complete your revisions, I’ll read through the book again and give you comments in the margins. 
- We’ll pay extra attention to your first chapter and your query; I’ll also do a line edit of your first 50 pages, and then you can take those suggestions and carry them through the rest of the book.
​- I’ll be here to cheer you on the whole way, including providing support during the hardest part of the competition—the waiting phase. We’ll get through it together with pizza, donuts, wine, and all the cheese. 

 ​- I’m definitely looking for genre books, but within that context, I’m excited to read stories with diversity of any type, including #ownvoices books.
- Voice, voice, voice.
- My number 1 request is some good MG horror or anything creepy/scary/eerie.
- I’m also looking to see contemporary books full of thrills.
- My favorite type of horror is paranormal/supernatural, so bring on your ghosts and demons.
- Witches in contemporary settings are great too.
- I’m a SUCKER for a haunted house story. (My secret ambition is to write the world’s best haunted insane asylum book, but if you beat me to it, send that baby over here please.)
- I’ll take my horror with a dose of silliness or keep it straight. I love HECK, WHERE THE BAD KIDS GO (by Dale E. Basye and Bob Dob) and THE MONSTER SQUAD, so feel free to send me your humorous horror.
- I’m open to MG horror with a more literary vibe too, like A MONSTER CALLS (by Patrick Ness and Siobhan Dowd).
- I’m all about seeing creepiness in the mundane, so more subtle stories or MAGICAL REALISM are very welcome (e.g., DOLL BONES by Holly Black).
- I’m open to portal-style books like THE SPINDLERS or LIESL AND PO, both by Lauren Oliver. Books like the SPIDERWICK CHRONICLES (Holly Black) would be great. 
- Adventures and thrillers? Yes, please. I’m dating myself here, but I’d love to read the next GOONIES. OMG, if you wrote STRANGER THINGS for MG, that’s for me. Or STAND BY ME. Or something like CLOAK AND DAGGER.
- Scavenger hunt stories would be fun (especially if there’s a creepy element).
- I’m a sucker for kids getting stuck somewhere and having to survive something (lost in the woods, stranded on a desert island, accidentally locked up somewhere—OMG, if they’re accidentally locked somewhere and there also happens to be a ghost or monster, that book is for me. Clearly there’s a theme here.).
- I will take fantasy if it’s rooted in the contemporary world (e.g., SPIDERWICK CHRONICLES by Holly Black).
- I’m open to some SCI-FI, but again, rooted in the contemporary world.
- Detective stories, especially with humor. My favorite movie of all time is CLUE. If you’ve written CLUE for MG readers, me wants…

​That's it for me. You can read ALL the MG mentors' bios and wishlists at the bottom of my page. 

Please read my WHAT I'M NOT LOOKING for list below.

Are you:
- flexible and open-minded about revisions? Listen, when you sign with your agent (and you will, I know it), you’re going to continue to get tons of feedback on your work. Then you’ll sell your book (totally, it will happen), and your editor is going to have a ton of changes for you to make too. So, revisions are a normal and natural part of the writing process. (Personally, my favorite parts of all my books are born in revisions). So, if you’re open-minded and willing to do an overhaul if it’s in the service of your vision, I really want to work with you.

- not afraid to work hard? There’s a timeline in Pitch Wars, and you will likely be eating, sleeping, and breathing your book. Are you reading this saying: Bring it on!—good! 
​
- serious about your writing career? I can’t promise that if you work with me you’ll get an agent and a book deal. I can promise you’ll learn from this experience, and your book will be better than when you started. So, if you don’t sign, are you still going to be as motivated to keep trying as you were the day you entered this competition? Will you keep querying that book until you find your dream agent? Will you write a new one and query that if this one doesn’t get you there? Yes? Then send me your submission, my friend. 

Let’s get to work!

- Anything that’s NOT MG. I love books for all ages, and even though my forthcoming books are YA, I’m only mentoring MG this year.
- Quiet books. I’m a genre girl, so I’m looking for books with thrills and scares.
- Pure contemporary. I love these books (think BFF BUCKET LIST by Dee Romito or THE SLEEPOVER by Jen Ramone), but I’m not looking for that this time around. 
- High fantasy. 
- No vampires or werewolves (UNLESS it’s a silly take on the trope. Think FAT VAMPIRE for MG or THE MONSTER SQUAD.)
- No space stories.
- No dystopians, please.
- Books full of grammar errors and typos and that are overall poorly written. Pitch Wars is for books that are complete and somewhat revised (but perfection is not expected, so don't worry if there are some errors). If your book requires too many basics to get it into shape, we just won't have the time. So please, read and edit your book now before the submission window opens.

There's still some time before the submission window opens. until then...

Read ALL the MG mentors' bios and wishlists right here.